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影片聚焦经典之作《查理和巧克力工厂》的主人公威利·旺卡（提莫西·查拉梅 饰），这位年轻且天赋异禀的发明家、魔术师、巧克力制作师，是如何经历奇幻冒险，成长为观众挚爱的巧克力工厂掌门人的故事。
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这版的旺卡和巧克力工厂里的旺卡似乎并不是一个人，但我也很喜欢这一版的旺卡。巧克力工厂里的他已经是世界上赫赫有名的巧克力大亨，脾气古怪，影片对他的刻画并没有很多，只是说他活在对“家庭”反抗的执念之中，一直孤身一人。但这版的旺卡太美好了，真正纯粹的理想主义———“我将所有的时间都花在巧克力上而没有学习识字”。影片中很多的东西都很简单直白，直白到像一首童谣。noodles的妈妈第一次出现，是在反派口中被形容为“理想主义”———“你爸爸爱上了一个只爱看书的理想主义者”；第二次出现就是伴随
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等不及看了《旺卡》，连带重刷了《查理和巧克力工厂》（下简称：查理），速速码字跟大家分享下观影体验！写在前面：推荐指数⭐⭐⭐⭐剧情中规中矩，没有特别意外和亮眼的剧情，整体符合逻辑，叙事也比较流畅。搭配上时不时用以点缀的歌舞片段，曲调+节奏+画面色彩，都能够创造起几波小高潮。因此，是一部可以看看放松的乐子片。但是❗《旺卡》中对于旺卡的故事、巧克力工厂的回忆设定和《查理》中有些出入。此外，旺卡本人个性的鲜明度，个人觉得没有《查理》里面来得有吸引力（也就是没有那种
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三星吧，果真和我想的一样没啥惊喜，但也不咋失望。首先说电影本身。整体还不错，饱满的色彩，各种神奇的巧克力和糖果，配合无间的队友，滑稽的反派，还有俩亮眼的英国人客串dddd，以及流畅的舞步，看下来很轻松。故事很传统，亲情是动力，友情是助力，反派是阻力，从开头就能猜到结尾的设定，但好在这样的叙事套路是保险的，过程还算有趣，所以最后呈现出来的效果就还不错，是一部合格的老少咸宜的童话电影。至少在这几年的商业电影里，能完整顺畅地讲好一个故事已经是很值得一提的优点了，它还不煽情（有提到
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童话分析了之后其实都是赤裸裸的“现实不可为”。童话不是孩子的想象，而是大人借孩童的想象力书写的乌托邦。《旺卡》克服困难打破桎梏，实现梦想，找到价值。而影射的其实是，资本宗教权力观念等构建的樊笼，突破这么多的障碍才可以实现人人都可以吃到便宜巧克力的世界，而这样的世界里，作为劳作者代表的奥帕伦帕，最终获得的并非人债两清，而是成为打工仔。这种隐喻有其思考，但与故事的融合过于生硬，凡是不可解释的，都是魔法魔术来解释，虽然一个童话故事不该如此用逻辑去较劲，可是既然作者们融合了如
