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白丝为正义，那黑丝呢？西瓜免费播放
2024-11-19 16:07:03
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贾曼的电影像是拼接艺术，本片采用了许多影像资料和家庭录像，抛弃了同期音以歌剧代替，对于电影的界限不应该是狭隘和唯一，这种形式未尝不是一种新的拓宽和尝试. 如果说文学回归到最初或许到最后是诗，那么音乐就是声音，而电影就是影像，说贾曼是电影的诗人就在于他抓住了影像的美和镜头节奏的律感. 关于这部战争安魂曲，我们可以写下诸多关于战争残酷和痛苦的感悟，也可以痛斥资本和帝国的虚伪和残暴，但贾曼宗教气息的仪式感让我更想抓住其中神圣和抚慰伤痛的那一部分，可我并没有抓住它们心里有些失落. 斯文顿真是好演员，年轻时的面容很符合古典美的标准，贾曼电影里的她太仙了，在本片的表演一眼就能看出是让自由发挥，英国真是出这样演技与容貌并存的实力派演员，传统戏剧底蕴乃是英国导演之幸.
